random inspiration
by jon marmor
He was big and clumsy and not very athletic. Because he was dyslexic, everyone considered him dumb and lazy. He was told to forget about college. He couldn't play sports because he couldn't keep up with his friends.
But that wasn't the only pain Chuck Close had to deal with in his young life. His father, a sheet metal worker, plumber and on-the-side inventor, was always in ill health and moved the family from Monroe to Everett to Tacoma to Everett in search of civil service jobs with health benefits.
When Close was 11, his life became pure hell. His father died. His mother, a trained pianist who in the Great Depression gave up her aspirations for concert career, got breast cancer. They lost their home because of medical bills. His grandmother was diagnosed with Parkinson's disease. And Close, an only child, spent most of the year in bed with nephritis, a nasty kidney infection.
One thing did help him cope with the mind-numbing agony, sadness and misery: art.
He always liked to draw. At age 4, he knew he wanted to be an artist. At the age of 5, his dad made him an easel for his birthday and got him a set of oil paints from Sears. In an attempt to win friends and "get kids to be around me," he also did magic and puppet shows. He drew and painted. People noticed.
Little did Charles Thomas Close know back then that he would indeed to go to college, graduating not only from the University of Washington in 1962 (magna cum laude) but from Yale as well. Now, at the age of 57, he is one of the true superstars of art. His works hang in the world's most prestigious museums, he is considered by ARTNews magazine to be one of the 50 most influential people in the art world--and he is so big he turned down a major retrospective at New York's Metropolitan Museum of Art because promises were broken. He chose the Museum of Modern Art instead. No one can recall an artist ever turning down the Met.
But this is much more than just the story of a local boy who made good. On Dec. 7, 1988, at the age of 49, Close was at the height of his career as a portrait painter when he was stricken with a spinal blood clot that left him a quadriplegic. Many thought his career was over.
As he came to grips with life in a motorized wheelchair, unable to move from the neck down, with little hope for improvement, his biggest fear was that "I was not going to make art. Since I'll never be able to move again, I would not be able to make art. I watched my muscles waste. My hands didn't work."
But like the previous tragedies in his life, that didn't stop him either. He not only returned to painting, but with a new style that has kept his place as one of the great American painters of our time. This month he will receive a new honor to add to the mantle of his Manhattan home--he becomes the 1997 UW Alumnus Summa Laude Dignatus, the highest honor an alumnus of the University of Washington can receive.
17 comments:
The term "artist" gets tossed around loosely these days, its almost a shame him getting lumped into that category. Chuck Close is in a whole other league.
Photo realist/portrait paintings blow my mind. I cannot even begin to understand how people like Chuck Close get the shadows, textures, and reflections down like that. I caught a retrospective of his at the Walker in MPLS a few years back, having never heard of him. The self-portrait with the cig caught my attention. Just amazing.
Didnt know about him, but found lots of great artwork on the internet. Saluti.
one of my favorites...those things in person are unbelievable, imposing. he makes it out to all the gallery openings, solid dude. the movie about him is worth seeing too
Were all a bunch of panzi ass whiners compared to this guy. A real bad ass.
He's legendary...
Ironically, while being one of the most successful portrait artists of his time, Close is also afflicted with prosopagnosia (face blindness), a condition that prevents him from recognizing people's faces.
I also remember hearing a story about an ophthalmologist diagnosing a serious eye condition in one of his paintings portrait subjects eyes, because the painting was so realistic/detailed.
without being told, I would have swore these were photo's. amazing. I'm fully capable with both arms, legs, eyes, ears and most of my brain power...and I can't draw a fucking hangman figure. My cap is tipped to this gent and the rest of you artist types.
...fuck...
I teach a drawing lesson based on the work of Chuck Close each year to my sophomore students. Before the kids start the drawing work I show them the biography on Close. Initially they are always bummed out to see an educational video in class, but by the time the film is finished the kids are truly moved. They never forget his story, they never forget his work. I actually had a student meet him at MOMA. This was something like 6 years later, and she still remembered him. She walked up to him and told him about what she saw in class & what a big influence he had been on her life. He thanked her and peered behind her to the girl she was with who was trying to hide in the background. She was too intimidated to introduce herself. Close looked at her and laughingly said, "What, I don't impress you?" Not only is he an inspiration or one of the great American painters, but he is pretty damn funny too.
that's awesome. thank you.
Amazing. The story gave me chills. Thanks Max
SFMOMA has recently been given a bunch of Chuck
Closes stuff, so those of us in the Bay will be having
plenty of chances to see CC stuff in coming years.
Amazing work, thanks for sharing Mister Schaaf ;)
I've loved Chuck forever. Finally got to see two originals at The Met while in NYC a bit ago... mind blowing.
One of my biggest inspirations by far. I actually got to see the first painting on here at the Met last time i was in New York. The scale is fuckin huge! That painting is at least 6 feet tall, its simply amazing.
Close is kick-fucking-ass. My favorite painter hands down.
wow, i never knew that.. thanks for the info.. now i'm going to go look up more of his stuff!!
C
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